Cytat:- A new Producer approved 4K restoration presented in HDR with Dolby Vision
- Dual format 3 disc edition including 1 UHD and 2 Blu-rays with main feature and bonus features on both formats
- The North American Re-edit: newly restored from an archive print
- New Audio Commentary by Alexandra Heller-Nicholas and Alison Taylor
- Audio Commentary by Director Andrzej Żuławski moderated by Daniel Bird
- Audio Commentary by Frederic Tuten moderated by Daniel Bird
- New Audio Commentary by Daniel Bird and Manuela Lazic (The North American Re-edit)
- The Horror of Normality: Guillermo del Toro on Possession
- The Shadow We Carry: Kat Ellinger on Possession
- Repossessed: The Film’s UK and US Reception
- Andrzej Żuławski: Director: archive documentary
- A Divided City:  The Berlin locations
- The Sounds of Possession: an interview with Composer Andrzej Korzynski
- Our Friend in the West: an interview with Producer Christian Ferry
- Basha: a featurette on poster artist Barbara ‘Basha’ Baranowska
- The Other Side of The Wall: The Making of Possession
- Archive interview with Andrzej Żuławski
- Deleted Scenes
- Theatrical Trailer

Limited Edition Contents
- Rigid slipcase with Basha’s original theatrical artwork
- 220-page hardback book with new essays by Daniel Bird, Elena Lazic and Alison Taylor, ‘The Creature: Preliminary Sketches’, ‘Filming Possession’, ‘The Poster of Possession’, pressbook feature, archive articles and interviews and Behind the Scenes gallery
- 211-page original shooting script book with notes by Andrzej Żuławski and Frederic Tuten
- 6 collectors' art cards

nicwood napisał(a):BREAKING NEWS: Someone took a look at the disc!

The most important parts in short and without much ado:

-> Second Sight licensed the film from TF1 and used the Le Chat Qui Fume master from 2020
-> It was graded with HDR/DV visibly on the basis of the SDR master.
-> The LCQF master’s visual characteristics (especially the blown-out highlights) are still intact.
-> The FiM encode is likely the best it can look BUT there’s some pixelation in the highlights and it looks like it’s embedded in the master instead of traditional blocking.
-> DTS-HD 1.0 audio sounds excellent with clear voices and sounds.

Apart from the untidy highlights as a result of the mastering, the master is not as 100% film-like as the best recent 4K masters from Criterion in particular. A new master would have honestly been most appropriate to benefit of a native HDR grade in order to achieve the "blown-out" highlights that are seemingly intended but without this coming at the expense of seamless grain roll-off.