(02-05-2022, 13:02)Daras napisał(a):  OAR kinowy wynosił jakieś 2.35:1

(02-05-2022, 14:01)Daras napisał(a):  Czy powinienem zgodzić się z ich opisem, w myśl którego „pierwotnym” audio "Mostu" był system Dolby Atmos?

Cytat:Today's screening may be the first time "River Kwai" will be shown in its original 2:55:1 aspect ratio, or the height-to-width ratio of the image, in which it was shot. It was filmed with Cinema Scope wide-screen lenses, but the ratio was "cropped and changed to 2:35:1 shortly after CinemaScope started," Crisp said. No prints have been found in the 2:55 ratio, he said.
"That's another kind of little joy I think in doing something like this. We get to see it the way they actually shot it," he said.

Cytat:I use quite a few words discussing Mr. Hilyard, as the shoot, much like Lawrence was defined by problems on location, as well as equipment with early adapter lenses to create the CinemaScope image. It was a struggle.

Originally planned for stereo, production photography was set at full aperture, 2.66:1, which would have been projected at 2.55. Changes during post finalized monaural prints, and to make room for the track, the image was standardized at 2.35:1.

The problem was that during preparation of the printing matrices, the left side of the image was cropped as opposed to centering, with the track overlaid. It remained in this format until the 1990s, when it was expanded to the proper 2.55.