15-01-2018, 12:41
Ha, mam to! 
Właśnie znalazłem informację, która dość mocno sugeruje, że dźwięk 11.1 został zakodowany w ścieżkach 7.1. Osoby dociekliwe znajdą w necie takich informacji więcej. Wygląda też na to, że moja analogia dotycząca upychania ongiś audio surround w dwu kanałach stereo była trafna.
Cytat:
The Expendables 2's DTS-HD sound is actually a discrete 7.1-channel mix. Information for height and width channels is ‘matrix’ embedded into the main seven channels. This is similar to how rear and centre-channel information was matrix-encoded into Dolby Stereo back in the good old days of analogue cinema. With standard 5.1/7.1 movies, the Neo:X processor has a stab at pulling out ambient information for height and width channels even if there are no specific flags in the mix for them. In discs like The Expendables 2 the sound has been optimised for Neo:X (although studio Lionsgate hasn't yet managed to reveal to us exactly what that entails), with flags that allow the processor to pull out information that is almost discrete. Set up right and listening to the disc’s 11.1 optimiser playing sounds from each speaker in-sequence, it is very difficult to believe it’s not a properly discrete 11.1 format. It really is that remarkable.
http://www.homecinemachoice.com/news/article/exclusive-the-expendables-2--111-neo-x-audio-review/13896
Pozostaje mi jeszcze ustalić czy Monolith nie majstrował przy DTS HD. Na moje ucho – nie!
Właśnie znalazłem informację, która dość mocno sugeruje, że dźwięk 11.1 został zakodowany w ścieżkach 7.1. Osoby dociekliwe znajdą w necie takich informacji więcej. Wygląda też na to, że moja analogia dotycząca upychania ongiś audio surround w dwu kanałach stereo była trafna.
Cytat:
The Expendables 2's DTS-HD sound is actually a discrete 7.1-channel mix. Information for height and width channels is ‘matrix’ embedded into the main seven channels. This is similar to how rear and centre-channel information was matrix-encoded into Dolby Stereo back in the good old days of analogue cinema. With standard 5.1/7.1 movies, the Neo:X processor has a stab at pulling out ambient information for height and width channels even if there are no specific flags in the mix for them. In discs like The Expendables 2 the sound has been optimised for Neo:X (although studio Lionsgate hasn't yet managed to reveal to us exactly what that entails), with flags that allow the processor to pull out information that is almost discrete. Set up right and listening to the disc’s 11.1 optimiser playing sounds from each speaker in-sequence, it is very difficult to believe it’s not a properly discrete 11.1 format. It really is that remarkable.
http://www.homecinemachoice.com/news/article/exclusive-the-expendables-2--111-neo-x-audio-review/13896
Pozostaje mi jeszcze ustalić czy Monolith nie majstrował przy DTS HD. Na moje ucho – nie!
„Ja paryskimi perfumami się nie perfumuję... Ja jeden wiem co tej ziemi jest potrzebne”.