10-08-2019, 11:48
W lipcu 2016r. dowiedzieliśmy się od Camerona, że:
“We’ve done a wet-gate 4K scan of the original negative, and it’s going to look insanely good,” Cameron said. “We’re going to do an authoring pass in the DI for Blu-ray and HDR at the same time.”
W listopadzie 2018r. w wywiadzie dla Empire czytamy:
"Q: Will we ever get a True Lies Blu-ray?
A: Man, it’s on my to-do list. It’s a question of time-management. True Lies and The Abyss both have Blu-ray transfers that are complete for my review. The problem is the next 14 hours when I have to go back and trim the color and get each one perfect. That’s 28 hours. I don’t have 28 hours. I’ve put it on my list to try to get it done before the end of the year."
W marcu 2019r. kolorysta Skip Kimball pochwalił się na instagramie, że pracuje nad Abyss. Wciąż brak info czy Cameron znalazł w końcu te kilkanaście godzin wolnego czasu.
“We’ve done a wet-gate 4K scan of the original negative, and it’s going to look insanely good,” Cameron said. “We’re going to do an authoring pass in the DI for Blu-ray and HDR at the same time.”
W listopadzie 2018r. w wywiadzie dla Empire czytamy:
"Q: Will we ever get a True Lies Blu-ray?
A: Man, it’s on my to-do list. It’s a question of time-management. True Lies and The Abyss both have Blu-ray transfers that are complete for my review. The problem is the next 14 hours when I have to go back and trim the color and get each one perfect. That’s 28 hours. I don’t have 28 hours. I’ve put it on my list to try to get it done before the end of the year."
W marcu 2019r. kolorysta Skip Kimball pochwalił się na instagramie, że pracuje nad Abyss. Wciąż brak info czy Cameron znalazł w końcu te kilkanaście godzin wolnego czasu.