09-06-2021, 15:34
(Ten post był ostatnio modyfikowany: 10-06-2021, 21:17 przez fire_caves.)
(09-06-2021, 12:29)Mierzwiak napisał(a): Podobno we wrześniu Paramount ma wydać cztery pierwsze kinowe Star TrekiNo tak, najbardziej wizualnie widowiskowa i nudna jak flaki z olejem jedynka plus trylogia Spocka. A Undiscovered Country pada ofiarą piątki. Do przewidzenia. Na piątkę musieliby chyba podsypać Shatnerowi kaski, żeby choć odrobinę dociągnął efekty specjalne skopane przez zastępców ILM, bo nie wyobrażam sobie tego w 4K na współczesnych telewizorach...
https://www.dvdfr.com/dvd/f300795-star-trek-les-4-films-originaux-star-trek-le-film-star-trek-ii-la-colere-de-khan-star-trek-iii-a-la-recherche-de-spock-star-trek-iv-retour-sur-terre.html
Tak czy owak - dzięki za cynk Mierzwiak, punkcik leci.
Tymczasem ja wciąż cieszę się ze swoich steelbooków za które dałem 85 zł i piwo
[EDIT]
Więcej na temat Star Treka w 4K (aczkolwiek nie koniecznie jest to potwierdzenie powyższego linku):
https://trek.report/news/an-update-on-the-status-of-star-trek-4k/
Right now, only the Kelvin series of films are available in 4K. But according to industry insider Bill Hunt, the editor in chief of The Digital Bits, fans should only have to wait a little longer for the first ten Star Trek films to make it to 4K.
(...)
Hunt says that Paramount is steadily working toward remastering all of the films for a release on 4K, but thanks to the number of titles included, there is a built-in problem. “If they were to release one of those films on 4K, they know that everybody would go ‘Oh, that’s great — where are all the others?’” says Hunt.
(...)
“What I believe is happening is they are slowly but steadily remastering all of the other films,” says Hunt. “But the reason for the delay is that there’s one that is going to cost them the most money is — and they know this — is Star Trek: The Motion Picture – Director’s Edition.” Unfortunately, the original master for TMP was done only in SD resolution. He says that Paramount didn’t want to spend the extra money for full HD.
(...)
After TMP is remastered, Hunt says that the rest of the Trek films would be no problem since they were shot on film. “That one [TMP] is complicated,” says Hunt. “Because you really have to redo the visual effects to get it right, and they are talking to the people who did that work originally who’ve said, ‘yeah, we can do it.’ They sat down and worked out what the budget would be.”
A tu jeszcze Adam "Mojo" Lebowitz w 2007 roku wypowiadał się o remasterze TMP:
"It was fun to work on, and I have to say, for the most part, I think it's a better film now. We treated it as if we were starting post production from the ground up - this is far more the movie Robert Wise wanted to make, and rather than preserve, I'd like to see everyone DESTROY all previous versions of the movie!! ;-)
One sad thing I should report is that we'll never see the Director's Cut in HD - it was all done in standard def NTSC. We wanted to finish it in HD, but the hi def market hadn't even really been started yet and the studio was inclined to save the extra money.
Even though all the live action from the HD version could theoretically be edited together to form the Director's Cut, all the new visual effects were only rendered at 480. "
"The FX for ST: TMP *were never finished.* That film in on record that it went all the way to the release date in a huge rush just to get it out the door, and MUCH of it was never completed to the director's liking (and some of it was just never finished at all, like many effects
shots and sound effects).
Most of the work we did was materialthat was intended to be there in the first place. We used the actual storyboards from 1978 to make the shots, and everything we did was
designed to look like it could have been done back then - we did no fancy CGI stuff to show off.
A perfect example is when Kirk arrives at Starfleet in his shuttle - the release edition has a REALLY long shot of the Starfleet logo on the floor of the San Francisco hangar
bay - you know why? Because there were supposed to be shots of Kirk's shuttle flying to the station, but they were never finished so the screen time that was set aside for them had to be filled with something - so it was filled in with a shot of the floor.
Many of the shots inside the Enterprise had nothing but black outside the windows - you
were supposed to see section of the ship or, later on, parts of Vger...but there wasn't time to do it so it was left black.
I think it was great to finally go back and FINISH the movie the way it was storyboarded in 1978. We did not add anything new just to make it look cooler."